So, I had one free evening before I took out as many as 40 photographers, to shoot Spokane Night Scenes. I grabbed the cameras, and headed down to Riverfront Park, to revisit the art/sculpture that has been in the river, for many years. Have I shot this before? "Oh yeah," many times. Yet, this scene just had to be approached differently, and with some color added.
There is no light for this Spokane river sculpture, so I brought my own. I began shooting this scene with an amber lens on the Big Max flashlight, and then switched to blue. After switching again, this time to red, it seemed clearer in the rear screen viewer of the Canon 40D. The metal of the sculpture seemed to glow with the red light on it, and it still appeared that way after the CR2 files were inspected on the computer.
This sculpture continually moves, and is unlike any landscape effort a low light photographer can make. You can shoot using rear curtain synch, but the challenge was to try and get it, without motion blur, using the colors from the Big Max. As I take out all of the photographers tonight, they will find out just how "easy," trying to avoid the motion blur is at this location. Yep, a built in challenge.
Here is an edited version using the red Big Max lens.
I might owe an apology to a guy who was sitting at this location, feeding the ducks. He had at least a hundred ducks feeding when I got there, and as soon as I turned on the Big Max flashlight the first time, all the Ducks he had assembled took off in a big hurry. I'm not sure if the ducks are color blind, but the amber lens on the Big Max, really drove them all away. So, the guy who had been feeding them got up and ambled away from my disruptive activities.
This evening I wanted to look at some sculptures on the south side of the north river channel. West of the performing arts center, there is an invisible sculpture called, "Moon Crater." There are no lights in here, and I almost walked right by it before I saw that something was there. I hit it a few times with the Big Max, but that light was just too powerful. I turned on my headlamp, but that made no difference in lighting the sculpture. So I just shot the "Moon Crater," in the darkness. At about a minute into a BULB exposure, I screened that length of shot, and it was apparent that the sculpture could be seen with just longer exposures.
Here is a cropped version of "Moon Crater."